YES! I'm still selling BE books.....and lots of them! Brass players around the globe are taking advantage of this down time to improve their chops. So....don't be afraid to contact me for a book order.
Just email me: ValerieW78 "at" Gmail "dot" com
YES! I'm still selling BE books.....and lots of them! Brass players around the globe are taking advantage of this down time to improve their chops. So....don't be afraid to contact me for a book order.
Just email me: ValerieW78 "at" Gmail "dot" com
Robert: |
Hi Valerie,
I wrote to you a couple of year ago about how much my stamina had improved since reading BE. Now to be honest, I’m not a serious horn player these days - occasional amateur playing but mainly just play a bit of jazz at home for fun. However, it always played on my mind that despite studying at a London Conservatoire I couldn’t really play the horn other than being a vaguely good low player in orchestral music (Doesn’t matter these days - I’m a school teacher/composer/conductor). My stamina let me down for solo repertoire and getting out of the stave was a great struggle. Anyway, I haven’t practiced any of the exercises religiously and I sometimes go a few weeks without playing at all but I can now get out of the stave and I’ve attached a top Bb video just to prove that even just reading the book and doing the exercises a bit can transform your technique! The Bb was a very insecure high note for me before I read BE. Thanks for promoting BE. Andy Meyers (London -UK)The second example is from a local horn player in the Tacoma, WA area. Steph has played low horn for years but was recently given the fourth horn with challenging high register requirements. Here's what she wrote me in a text message recently:
Steph: Been working on RO and RI. Is much easier to play the upper range. Doesn't sound pretty yet, but will keep at it.
Val: you go, girl!!! It's amazing what a little BE can do for the chops. BE still dazzles me after 11+ years using it. If it weren't for Jeff Smiley, I would have given up long ago.
Steph: Well right about the time I resigned myself to not playing the highest couple of notes in the 3rd movement of Star Wars between 71 and 79, I was able to play it today without cracking or pinching the notes. Go figure... I guess I'll have a couple weeks to keep working at it.

Jeff,
It has been a few years since I contacted you, and I don't even remember what I told you about my progress. The main thing I remember from your first reply, was that age was not my issue. That had to have been nearly seven years ago, and today I am approaching seventy years old, and my chops have never been in better shape! You were so right, and I am so grateful for your encouragement back then.
The thing I believe age has influenced, is how long it takes to get to the same place a younger person would take. The good news is that consistent practice and dedication can still get you there. I will never play with a major orchestra, or even play professionally, though I have been paid for a few performances. My goal is to play to have fun and to get better and have even more fun. Music and playing horn is the passion of my retirement.
For several years I have not steadfastly practiced the BE routines, but I have always kept firmly in mind the BE principles as I progressed. I have stayed in contact with Valerie over the years, and she and I have become good friends.What is personally important to me is that I struggled and struggled with the lower register on horn, and came up against the Reicha trios for horn, opus 82. The 3rd part drops down into the bass trombone/tuba range and expects that the player has the flexibility to play nimbly in that range. So I began experimenting, keeping BE in mind. I certainly could play the lowest notes without any difficulty, having learned from BE how to play that low, but to move back into a more RI embouchure for the higher notes was a daunting task.I kept experimenting and one day recently, the epiphany/eureka moment arrived and I found that I could still roll out enough to reach those lower notes without rolling entirely outside the mouthpiece. It's kind of a pooch of the lips that still allows a quick roll in of the embouchure. It made all the difference.I'm not quite up to tempo yet on being able to perform those low passages, but I'm closing fast. On the high side, my upper range has increase a solid performable fifth, from my beginnings. This I truly believe is because of embracing the principles of BE, and finding ways to implement them in my day to day playing.
I play principal horn in a small town pops orchestra in Colorado, and occasionally sub in area orchestras that play major works. I travel to California each summer to play in the Brass Chamber Music Workshop at Humboldt State University, and have such a fantastic time with all those terrific brass players.So I just wanted to give you an update and a huge thank you for what you have brought to my playing. I'm so glad to see that your web site is up and active, and that BE is alive, well, and thriving.
Regards and appreciation,Doug WagnerLakewood, Colorado